Palestine knew cinema well before the Nakba of 1948 but struggled to reach audiences and surpass obstacles put up by the dominating Zionist lobby on the cinema industry. With a new generation of young directors in the field of Palestinian cinema, as well as the massive technological advancement in filmmaking and illustration, what does the future hold for Palestinian cinema? What challenges do filmmakers face? How eligible is it in portraying the Palestinian narrative to the world? And why is the average Palestinian alien to Palestinian cinema except for some pockets of the cultural elite in major cities?